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#posters #DES101

Poster 1 final-1.png
Poster 2 - 40x40 final.png

Flesh Cut

Razor sore memoirs

all portion of joyfulness

well cut into flesh

ALKAS POETRY 2020, FLESH CUT, ALKAS POETRY, VIEWED MAR 8 2020, <https://www.poetrysoup.com/poem/_flesh_cut_1217000>

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PAINED FACES

For poster 1 I aimed to compose a piece that accurately portrayed my perception of pain in a minimalistic fashion. I’m happy with the way my final composition turned out as I utilised some of the gestalt key principles of design. Most noticeably there is similarity present within my piece, through the use of analogous triangular shapes, as well as closure, as you are able to piece the shapes together to resemble a face. I captured the feeling of pain through the triangular shapes, which create a sense of discomfort for the viewer; additionally, the face is visually in pain, denoted by the tears coming from the eye. Moreover, the abstract nature of the design may further heighten the feeling of discomfort I tried to recreate. To improve my poster I would try to include more aspects of repetition. I only repeated the triangular shape throughout the poster, and in future I could maybe implement repetition through the tears or even have several faces within the same poster.

For my second poster I aimed to create an aesthetically pleasing poster that illustrates the movie genre while at the same time creating some intrigue as to what the movie may be about. While producing poster two, I feel I successfully implemented semiotics by thinking about the signifier and signified. This was done through the main vector art; the knife signifies the pain of memory and the flowers symbolize the possibility of blossoming into the future, despite the trauma of a painful past. Moreover, my flower of choice was deliberate - the Peace Lily is in part ironic and in part symbolic of hope. Furthermore, I attempted to manipulate the words ‘severed’ and ‘innocence’ so that the typography matched the meaning of each word. To do this I cut up the word severed and added an angel wing to innocence. However, to improve on this poster I could have further looked into using more of the principles of typography.

SEVERED INNOCENCE

poster 3 final.png

For my final poster my aim was to raise awareness about the increasingly present issue of domestic violence in New Zealand. To do this I wanted to create a hard hitting storyboard to make people realise that our patriarchal male society needs to change and that aggression and domestic violence needs to be recognised for it to be stopped. My final poster reflects the strong emotions presented in my haiku; those of painful memories and trauma. I kept this poster black and white as I felt this would best represent the bleak and harsh reality of the main character (the child that has fallen victim to domestic violence). I also consistently kept the father as a black silhouette to depict both the child’s fear of him as well as the father’s lack of compassion. This omnipresent black silhouette appears in most frames illustrating that either the father or the fear of him is a constant thought that disempowers the boy and leaves him with feelings of hopelessness and despair. Eventually the son turns into a black silhouette himself, signifying he has become his father and the cycle of domestic violence continues.

THE CYCLE OF DOMESTIC VIOLENCE

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